![]() ![]() He has curated exhibitions on Australian and international decorative arts. Paints a compelling picture of an internationally celebrated Australian artist.Īndrew Montana is Senior Lecturer at ANU, specialising in the art and design history of the 19th and 20th centuries. In this meticulously researched book Andrew Montana But he is best known for hisĬostumes, design and artwork for the theatre and ballet – including for theīallets Russes, Hélène Kirsova's ballet company, and in London, Michael Our database has art auction market prices for Loudon Sainthill, 1919-69, Australia and other Australian and New Zealand. With fantasy, colour and surrealism, Sainthill's art embraced painting, murals,īook illustration, textile design and fashion. Life and times, and contains much of Sainthill's work along with never-before-published archival photographs. This sumptuously illustrated biography details their Loudon Sainthill was born on 9 January 1918 in Hobart, Tasmania, Australia. Mid-twentieth century Melbourne, Sydney and London. Miller, were at the heart of avant-garde artistic and literary circles in Sainthill and his partner, entrepreneur and gallery director Harry Tatlock From the Collection: Theatre Guild (N.Z.Australian painter and theatre artist Loudon.From the Collection: Auckland University Theatre Company.From the Collection: University of Auckland.From the Collection: Theatre Workshop (University of Auckland).From the Collection: Auckland Repertory Theatre.From the Collection: Auckland Drama Council.Craig moved to England but continued his career in theatre design undertaking work for the Scottish Opera and the Royal Shakespeare Company. The designs and costume work of Elam graduate Russell Craig are also represented in the series relating to the Outdoor Summer Shakespeare. Auckland Libraries holds an extensive collection with over 5,000 of his negatives. Having confirmed her dexterity with prickly obstacles, they began a five-year affair. His photographs of Auckland's amateur theatre productions adopt his trademark style of dramatic lighting using black-and-white photography to recall an age of Hollywood theatrical glamour. He set up a photographic studio in Queen Street after graduating from Elam School of Art and photographed well-known Auckland identities. Firth was highly active between the 1930s and 1970s. The collection includes photography by prolific Auckland photographer and graphic designer, Clifton Firth (1904-1980). The programmes in this collection illustrate his typographical talents and eye for detail. Lowry published works by figures in Auckland art and literary scene. He founded and primarily worked under Pelorus Press and Pilgrim Press but his name is associated with other presses. A skilled printer, publisher and typographer with extensive knowledge of typography, Lowry was active between the 1940s and 1960s. There is a mixture of classic and contemporary plays but with a focus on works set between the 13th and 15th Centuries.Īside from being useful resources for the study of the Auckland theatre, the souvenir programmes highlight the typographical endeavours of Bob Lowry (1912-1963). This arrangement reveals the variety of the plays performed by dramatic societies in Auckland during the period covered by the collection. ![]() The collection has been divided into three series organised chronologically. The newspaper clippings reflect this aspect and provide reviews of the productions. More specifically, it offers insight into Musgrove's vision as a producer and demonstrates the involvement of members of the wider Auckland art scene in the creation of these productions. The collection highlights the aspiration for a professional theatre company of high standards despite monetary restraints. The collection focuses on the activities of Sydney Musgrove within the Auckland amateur theatre scene and reveals a rich history of amateur performance in Auckland. Other materials relate to Musgrove's involvement in Auckland's literary and music scene. There are also materials relating to productions staged outside New Zealand by the New England University College Drama Society (Australia) and the Shakespeare Memorial Theatre (England). The bulk of the collection comprises ephemera from University of Auckland's theatre societies but also includes material from productions by the Auckland Drama Council, Auckland Repertory Theatre, and Theatre Guild (NZ) Ltd. This collection contains materials relating to Auckland's amateur theatre scene between 19 collected by Professor Sydney Musgrove including souvenir programmes, photographs, newspaper clippings, producer's notebooks, wardrobe notebooks and posters. ![]()
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